The Upper Room May-August 2022: Where the world meets to pray

The Upper Room May-August 2022: Where the world meets to pray

Edited by: Daniele Och
£4.85

Your place to encounter God

Each day’s reading contains a Bible passage to read, a reflection on the passage and a prayer, followed by a 'Thought for the day' and a suggested 'Prayer focus' for the day. There is also a set of small group questions provided each week to fuel discussions within house groups, with a prayer partner or just with friends in church.

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Title The Upper Room May-August 2022: Where the world meets to pray
Edited by Daniele Och
Description

Each day’s reading contains a Bible passage to read, a reflection on the passage and a prayer, followed by a 'Thought for the day' and a suggested 'Prayer focus' for the day. There is also a set of small group questions provided each week to fuel discussions within house groups, with a prayer partner or just with friends in church.

In this issue, the editor writes:

I lift up my eyes to the hills. From where does my help come? My help comes from the Lord, who made heaven and earth. Psalm 121:1–2 (NIV)

Towards the end of last year, as I was editing this issue, I spent several evenings helping out as a stagehand for a local amateur production of The Sound of Music. It was the first time I had been part of a theatre crew, and it was exciting to see all the activity that takes place out of sight of the audience. ‘Out of sight’ was very much our mantra as stagehands. We had to wear dark clothing, preferably black, and try to carry out the scene changes quickly but quietly and before the stage lighting came on for the next scene. (I often failed to meet any of those goals.) When setting up the stage at each venue, the stage manager stuck a line of tape to the floor at the sides of the stage. This marked the ‘sight line’, separating the wings from the stage – that is, the line between being out of and within the audience’s line of sight. Our ‘line of sight’ is the theme of many meditations in this issue – whether that be where we focus our attention (18 May), gaining a new perspective (29 May), noticing signs of God’s presence (27 July) or the ways in which God’s care for us often goes unseen (12 August). Indeed, in one reflection, the author draws lessons from all the work that goes on ‘Behind the scenes’ at the theatre (see 15 June), something I now have a greater appreciation for. In the final scene of The Sound of Music, as the Trapp family are anxious about fleeing across the mountains into Switzerland on foot, the Mother Abbess quotes Psalm 121:1, encouraging them to change their ‘line of sight’ – to see the mountains not as a barrier, but as the means by which God would bring their salvation. I pray that the meditations in this issue will likewise encourage us, in whatever circumstances we find ourselves, to change our perspective: to fix our eyes on Jesus, the one through whom God has brought our salvation.

Details
  • Product code: 9781800391383
  • Published: 10 March 2022
  • Format: Paperback
  • Pages: 160
  • Dimensions: 120mm wide and 167mm high

Each day’s reading contains a Bible passage to read, a reflection on the passage and a prayer, followed by a 'Thought for the day' and a suggested 'Prayer focus' for the day. There is also a set of small group questions provided each week to fuel discussions within house groups, with a prayer partner or just with friends in church.

In this issue, the editor writes:

I lift up my eyes to the hills. From where does my help come? My help comes from the Lord, who made heaven and earth. Psalm 121:1–2 (NIV)

Towards the end of last year, as I was editing this issue, I spent several evenings helping out as a stagehand for a local amateur production of The Sound of Music. It was the first time I had been part of a theatre crew, and it was exciting to see all the activity that takes place out of sight of the audience. ‘Out of sight’ was very much our mantra as stagehands. We had to wear dark clothing, preferably black, and try to carry out the scene changes quickly but quietly and before the stage lighting came on for the next scene. (I often failed to meet any of those goals.) When setting up the stage at each venue, the stage manager stuck a line of tape to the floor at the sides of the stage. This marked the ‘sight line’, separating the wings from the stage – that is, the line between being out of and within the audience’s line of sight. Our ‘line of sight’ is the theme of many meditations in this issue – whether that be where we focus our attention (18 May), gaining a new perspective (29 May), noticing signs of God’s presence (27 July) or the ways in which God’s care for us often goes unseen (12 August). Indeed, in one reflection, the author draws lessons from all the work that goes on ‘Behind the scenes’ at the theatre (see 15 June), something I now have a greater appreciation for. In the final scene of The Sound of Music, as the Trapp family are anxious about fleeing across the mountains into Switzerland on foot, the Mother Abbess quotes Psalm 121:1, encouraging them to change their ‘line of sight’ – to see the mountains not as a barrier, but as the means by which God would bring their salvation. I pray that the meditations in this issue will likewise encourage us, in whatever circumstances we find ourselves, to change our perspective: to fix our eyes on Jesus, the one through whom God has brought our salvation.